Bilmiyor g\u00fclmeyi sakinlerinin binde biri,<\/em><\/p>\n\n\n\n Bir vatan derdi birikmi\u015f bir avu\u00e7luk karada,<\/em><\/p>\n\n\n\n Ku\u015fu hicran getirir, dalgas\u0131 h\u00fcsran g\u00f6t\u00fcr\u00fcr;<\/em><\/p>\n\n\n\n Mavi bir g\u00f6zde elem katras\u0131d\u0131r Yass\u0131 ada\u201d<\/em> <\/em><\/p>\n\n\n\n Faruk Nafiz \u00c7aml\u0131bel<\/p>\n\n\n\n Uzunca bir s\u00fcre, Anadolu Yakas\u0131 sahilinden bak\u0131ld\u0131\u011f\u0131nda, kule vin\u00e7lerin tepelerinde yan\u0131p s\u00f6nen \u0131\u015f\u0131klardan ve belli belirsiz y\u00fckselen sil\u00fcetten, Yass\u0131ada\u2019da hummal\u0131 bir faaliyetin s\u00fcrd\u00fc\u011f\u00fc anla\u015f\u0131l\u0131yordu. Ancak \u015fehre uzakl\u0131\u011f\u0131ndan \u00e7\u0131plak g\u00f6zle detaylar\u0131 se\u00e7ilemeyen karalt\u0131lar\u0131n neye delalet etti\u011fi ancak Erdo\u011fan\u2019\u0131n in\u015fa halindeki aday\u0131 ziyareti esnas\u0131nda ekrana gelen helikopter \u00e7ekimleri sayesinde idrak edilebildi. Yass\u0131ada\u2019\u0131n \u201cyeni\u201d haline ili\u015fkin g\u00f6r\u00fcnt\u00fclerin ilk kez g\u00f6sterildi\u011fi haber b\u00fclteni, ayn\u0131 zamanda hat\u0131r\u0131 say\u0131l\u0131r bir canl\u0131 yay\u0131n kazas\u0131na da sahne olmu\u015ftu. Dahil oldu\u011fu sermaye grubunun yat\u0131r\u0131m konular\u0131 Galataport gibi ihalelere kayd\u0131k\u00e7a yay\u0131n \u00e7izgisi h\u00fck\u00fcmet s\u00f6ylemine yak\u0131nla\u015fan bir haber kanal\u0131nda, Erdo\u011fan\u2019\u0131n demecindeki “Yass\u0131ada demiyorum, yasl\u0131 ada diyorum” ifadelerinin ard\u0131ndan spikerin a\u00e7\u0131k kalan mikrofonu fark etmeyerek canl\u0131 yay\u0131nda “Neresi yasl\u0131 ada be! Can\u0131na okumu\u015fsun” demesi, dramatik bir durum tespiti olarak tarihe ge\u00e7mi\u015fti.<\/p>\n\n\n\n Bu olaydan yakla\u015f\u0131k iki bu\u00e7uk y\u0131l sonra, 2021 A\u011fustos ay\u0131nda reklam panolar\u0131, Yass\u0131ada\u2019n\u0131n (de\u011fi\u015ftirilen yeni ismiyle \u201cDemokrasi ve \u00d6zg\u00fcrl\u00fckler Adas\u0131\u2019n\u0131n) i\u00e7inde tarihi ve tescilli yap\u0131lar\u0131yla, m\u00fczeler, kongre merkezi, otel, restoran ve sanat eserleriyle bir a\u00e7\u0131k hava sergisi olarak ziyarete a\u00e7\u0131ld\u0131\u011f\u0131n\u0131 duyuruyordu. <\/p>\n\n\n\n Adan\u0131n 27 May\u0131s Darbesi ile devrilen Demokrat Parti iktidar\u0131n\u0131n ba\u015fbakan\u0131 ve iki bakan\u0131n\u0131n idam\u0131na giden s\u00fcre\u00e7te yarg\u0131lamalara ev sahipli\u011fi yapmas\u0131 sebebiyle bir haf\u0131za mekan\u0131 olarak tasarlanmas\u0131, AKP iktidar\u0131ndaki di\u011fer benzerleri ile kar\u015f\u0131la\u015ft\u0131r\u0131ld\u0131\u011f\u0131nda (Haf\u0131za 15 Temmuz M\u00fczesi, Panaroma 1453 M\u00fczesi vb) s\u00fcrpriz de\u011fildi. Ancak adan\u0131n ayn\u0131 zamanda g\u00fcn\u00fcbirlik ziyaret\u00e7iler haricindeki farkl\u0131 gruplar\u0131n kongre, konaklama gibi \u201cihtiya\u00e7lar\u0131na\u201d cevap verecek \u015fekilde de i\u015flevselle\u015ftirilmesi projenin ba\u015f\u0131ndan itibaren tart\u0131\u015fma konusu oldu. Nitekim daha a\u00e7\u0131l\u0131\u015f ger\u00e7ekle\u015ftirilmeden projenin \u201cfikir babas\u0131\u201d eski AKP\u2019li K\u00fclt\u00fcr Bakan\u0131 Ertu\u011frul G\u00fcnay \u201cDemokrasi ve \u0130bret M\u00fczesi\u201d fikrinden uzakla\u015f\u0131larak, Yass\u0131adan\u0131n bir turizm projesine \u00e7evrildi\u011fi gerek\u00e7esiyle yap\u0131lan\u0131n utan\u00e7 verici oldu\u011funu ifade ediyordu. (Cumhuriyet, 29 May\u0131s 2020)<\/p>\n\n\n\n Peki Yass\u0131 olan ismi, an\u0131msatt\u0131klar\u0131 nedeniyle \u201cYasl\u0131\u201d diye an\u0131lan, 1976 y\u0131l\u0131nda, Demokrat Parti\u2019nin devam\u0131 Adalet Partisi d\u00f6neminde birinci derece sit alan\u0131 olarak ilan edilip \u201ckaderine terkedilen\u201d; 2011 y\u0131l\u0131nda ibretlik bir haf\u0131za mekan\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fclmek i\u00e7in projelendirilen, ancak temeli at\u0131l\u0131rken d\u00f6nemin ba\u015fbakan\u0131nca \u201c\u0130stanbul\u2019un Camp David\u2019i\u201d olaca\u011f\u0131 m\u00fcjdelenen (Milliyet, 15 May\u0131s 2015) sonunda da TOBB taraf\u0131ndan ta\u015feron marifetiyle yap i\u015flet devret modeliyle i\u015fletmeye a\u00e7\u0131lan, \u00e7ok ama\u00e7l\u0131, modifiye edilmi\u015f Yass\u0131ada\u2019n\u0131n \u201c\u0131ss\u0131zl\u0131\u011f\u0131ndan kurtar\u0131lma\u201d ser\u00fcveninin arkas\u0131ndaki motivasyon nas\u0131l a\u00e7\u0131klanabilir? Ben de kafamda bu sorularla adan\u0131n darbe ge\u00e7mi\u015fine paralel olarak ba\u015fka bir darbenin y\u0131l d\u00f6n\u00fcm\u00fcnde 12 Eyl\u00fcl\u2019de aday\u0131 ziyaret ettim.<\/p>\n\n\n\n \u00d6ncelikle Yass\u0131ada\u2019n\u0131n AKP\u2019nin kendi kurgulad\u0131\u011f\u0131 bir haf\u0131za mekan\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesini AKP\u2019nin tek ba\u015f\u0131na Merkez Sa\u011f\u2019\u0131n ortak Demokrat Parti miras\u0131n\u0131n sahiplenilme \u00e7abas\u0131 olarak okumak m\u00fcmk\u00fcn. Bu sahiplenme \u00e7abas\u0131 daha \u00f6nce de dile getirilmi\u015fti. Milletin i\u00e7inden gelip merkezdeki \u201cdar, se\u00e7kinci z\u00fcmrenin\u201d iktidar\u0131na son vermeye \u00e7al\u0131\u015fan; ancak bu sebeple tasfiye edilen\/edilmek istenen milletin adamlar\u0131 miti \u201cAst\u0131n\u0131z, Zehirlediniz, Yedirmeyiz\u201d slogan\u0131yla ifade edilmi\u015fti. \u00dc\u00e7lemede, milletine yabanc\u0131 elitlerin ilk kurban\u0131 Adnan Menderes; ikincisi do\u011fal yollarla \u00f6lmedi\u011fi iddia edilen Turgut \u00d6zal iken; son potansiyel ma\u011fdur payesi bu yola kefeniyle \u00e7\u0131kt\u0131\u011f\u0131n\u0131 belirten Recep Tayyip Erdo\u011fan taraf\u0131ndan ta\u015f\u0131n\u0131yor. Cumhuriyet tarihi i\u00e7inde m\u00fctedeyyin \u201cmillet\u201d ile kendini hayat\u0131 pahas\u0131na milleti kalk\u0131nd\u0131rmaya adam\u0131\u015f liderleri s\u00f6ylemindeki ge\u00e7i\u015fkenlik, birle\u015fme, \u00f6zde\u015fle\u015fme \u00e7abas\u0131, bellekleri yeniden formatlayacak bir mekan ihtiyac\u0131n\u0131 beraberinde getiriyor. Bunun i\u00e7in belle\u011fin g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fc (Poyraz, 2013, akt. \u00c7\u0131nar, 2020) ma\u011fduriyetin mekan\u0131nda tesis etmenin reel politik a\u00e7\u0131s\u0131ndan olduk\u00e7a i\u015flevsel oldu\u011fu s\u00f6ylenebilir.<\/p>\n\n\n\n Haf\u0131za mekanlar\u0131 sadece salt tarihi olaylar\u0131 hat\u0131rlatmak i\u00e7in de\u011fil; bug\u00fcn\u00fcn de yeniden kurgulanmas\u0131na tarihsel bir arkaplan sunmak i\u00e7in tasarlan\u0131r, toplumlar\u0131n kendilerini anlamland\u0131rma bi\u00e7imlerini sabitler ve neyi nas\u0131l hat\u0131rlayaca\u011f\u0131m\u0131z\u0131 bize s\u00f6ylerler. Bu bak\u0131mdan Yass\u0131ada\u2019y\u0131 \u201cunutturulan\u201d bir belle\u011fin yeniden canland\u0131r\u0131lmas\u0131 anlam\u0131nda ziyarete a\u00e7man\u0131n, iktidar\u0131n ge\u00e7mi\u015fi gelece\u011fe ta\u015f\u0131yarak \u201canlam borcunu\u201d \u00f6demesinin bir yolu oldu\u011fu d\u00fc\u015f\u00fcn\u00fclebilir.(\u00c7\u0131nar, 2020) <\/p>\n\n\n\n \u0130ktidar\u0131n\u0131n belle\u011fi yeniden yaratma potansiyeli iktidar g\u00fcc\u00fcn\u00fcn de g\u00f6stergesi ancak Yass\u0131ada\u2019n\u0131n d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc\u011f\u00fc haliyle bir haf\u0131za mekan\u0131 olarak kollektif haf\u0131zan\u0131n i\u00e7selle\u015ftirilmesini sa\u011flayacak yas duygusunu ziyaret\u00e7ilere ne \u00f6l\u00e7\u00fcde aktarabildi\u011fi olduk\u00e7a tart\u0131\u015fmaya a\u00e7\u0131k.<\/p>\n\n\n\n Ada ziyareti, yarg\u0131lamalar\u0131n ger\u00e7ekle\u015ftirildi\u011fi, mahkeme heyetinin, askerlerin ve Adnan Menderes ile beraberinde yarg\u0131lanan di\u011fer Demokrat Partililer\u2019in balmumumundan heykelleriyle yeniden canland\u0131r\u0131lan spor salonundan ba\u015fl\u0131yor. Bu haliyle 27 May\u0131s M\u00fczesi\u2019ne d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f mekanda as\u0131l etki, g\u00f6r\u00fcnt\u00fc ve ses efektleri ile kuvvetlendirilmi\u015f, Japon Anime tarz\u0131n\u0131 and\u0131ran bir animasyonla sa\u011flan\u0131yor. Her diyalogda ilgili heykelin ayd\u0131nlat\u0131ld\u0131\u011f\u0131, filmdeki d\u0131\u015f sesin darbe s\u00fcreci ve yarg\u0131lamaya ili\u015fkin s\u00fcreci dramatize etti\u011fi yakla\u015f\u0131k yar\u0131m saatlik g\u00f6sterimde spor salonunun trib\u00fcnlerinde oturan ziyaret\u00e7ilerin mahkeme s\u00fcrecine \u015fahitlik etmeleri ama\u00e7lan\u0131yor. Belki de ziyaret\u00e7ilerin bu sayede \u201cdemokrasi \u015fehitlerinin\u201d ya\u015fad\u0131\u011f\u0131 hakikate tan\u0131kl\u0131k (*) etmeleri arzulan\u0131yor.<\/p>\n\n\n\n Filmde \u00f6zellikle dikkati \u00e7eken ayr\u0131nt\u0131lardan bir tanesi, idam karar\u0131n\u0131n darbecilerin i\u00e7inden bir grup taraf\u0131ndan al\u0131n\u0131rken, \u0130smet \u0130n\u00f6n\u00fc ve Cunta i\u00e7inde yer alan Alparslan T\u00fcrke\u015f\u2019in idamlara kar\u015f\u0131 \u00e7\u0131kt\u0131\u011f\u0131n\u0131n \u00f6zellikle vurgulanmas\u0131. G\u00fcn\u00fcm\u00fcz CHP\u2019si ve MHP\u2019sinin \u00f6zenle darbe ile yan yana getirilmemeye \u00e7al\u0131\u015f\u0131lm\u0131\u015f olmas\u0131 kayda de\u011fer. Bu sayede ge\u00e7mi\u015f \u00fczerinden bug\u00fcn\u00fcn siyasetinin tasavvurunda olas\u0131 g\u00fcncel siyasi manevralar i\u00e7in hareket alan\u0131 b\u0131rak\u0131lm\u0131\u015f. Belki de bu sayede darbe bildirisini okuyan Albay Alparslan T\u00fcrke\u015f\u2019in kurdu\u011fu partinin genel ba\u015fkan\u0131, adan\u0131n a\u00e7\u0131l\u0131\u015f t\u00f6renine Erdo\u011fan ile birlikte kat\u0131labiliyor. <\/p>\n\n\n\n (*) \u015eehitlik ve \u015fahitlik kelimelerinin etimolojik k\u00f6kenine ayn\u0131 olup peygamberin mucizesine ve Y\u00fcce Hakikat\u2019e tan\u0131k olmak anlam\u0131na geliyor. \u0130lk \u015fahitlerin ard\u0131ndan, bu tan\u0131kl\u0131k u\u011fruna ve bu tan\u0131kl\u0131\u011f\u0131n iman\u0131yla zulme g\u00f6\u011f\u00fcs gerenler, can\u0131n\u0131 feda edenlerin \u015fahitli\u011fine istinaden Hakikat\u2019e \u015fahadetini, \u015fehit olmak pahas\u0131na savunan \u0130sa, ilk \u015fahit ve ilk \u015fehit olurken, daha sonralar\u0131, din u\u011fruna \u00f6lene verilen \u015fehit s\u0131fat\u0131 ile tan\u0131kl\u0131\u011f\u0131 anlatan \u015fahit ad\u0131 ayr\u0131\u015f\u0131yor. (Bora, 2015) <\/p>\n\n\n\n Yarg\u0131lama s\u00fcreci ziyaret\u00e7ilere aktar\u0131ld\u0131ktan sonra di\u011fer u\u011frak Adnan Menderes M\u00fczesi. Buras\u0131 subay yatakhanesi iken tecrit odalar\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f; Adnan Menderes\u2019in \u00e7ocuklu\u011funu ge\u00e7irdi\u011fi babaannesine ait evin replikas\u0131ndan ba\u015flayarak, yarg\u0131lama d\u00f6nemindeki i\u00e7 d\u00fcnyas\u0131n\u0131n tasvirlerine kadar, hayat\u0131ndan ve siyasi ser\u00fcveninden kesitlerin her bir odada ayr\u0131 ayr\u0131 g\u00f6sterildi\u011fi iki katl\u0131 bir bina. Yine anlat\u0131lan hikayeler balmumundan heykellerle desteklenmi\u015f. Ancak kurgulanm\u0131\u015f ger\u00e7ekli\u011fin amaca daha fazla hizmet edece\u011fi d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f olacak ki, Adnan Menderes\u2019in hapis yatt\u0131\u011f\u0131 bina y\u0131k\u0131larak (\u00d6zl\u00fcer, 2016) kendisine ait h\u00fccre farkl\u0131 bir binada \u201cyeniden canland\u0131r\u0131lm\u0131\u015f\u201d.<\/p>\n\n\n\n Son olarak adan\u0131n en tepesinde, t\u0131ra\u015flanarak meydan haline getirilen alana bakan \u00fc\u00e7 katl\u0131 Demokrasi ve \u00d6zg\u00fcrl\u00fckler M\u00fczesi, adan\u0131n yeni isminde yer alan demokrasi kelimesine at\u0131fla, d\u00fcnyadaki ve T\u00fcrkiye\u2019deki demokrasi geli\u015fimine ili\u015fkin olaylar\u0131 konu al\u0131yor. M\u00fcze\u2019nin ayr\u0131 bir b\u00f6l\u00fcm\u00fcnde, \u201cOsmanl\u0131\u2019dan G\u00fcn\u00fcm\u00fcze Demokrasi M\u00fccadeleleri\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda, se\u00e7ilmi\u015f olaylar kronolojik olarak yine balmumu heykellerin yer ald\u0131\u011f\u0131 canland\u0131rmalarla izleyicilere anlat\u0131yor. <\/p>\n\n\n\n Burada \u00f6zellikle pedagojik bir kayg\u0131n\u0131n g\u00f6ze \u00e7arpt\u0131\u011f\u0131 s\u00f6ylenebilir. \u0130brahim M\u00fcteferrika\u2019n\u0131n kurdu\u011fu matbaa veya son Meclis-i Mebusan\u2019\u0131n kapat\u0131lmas\u0131 gibi ortalama bir lise \u0130nk\u0131lap Tarihi kitab\u0131nda yer alan olaylara ili\u015fkin k\u0131sa ve \u00f6zet bilgilerin, yine canland\u0131rmalar e\u015fli\u011finde ziyaret\u00e7ilere bir hap misali verilmesi s\u00f6z konusu. Bu sayede \u201cu\u011fruna canlar\u0131n verildi\u011fi\u201d demokrasi kavram\u0131n\u0131n ansiklopedik de olsa neyi ifade etti\u011finin anla\u015f\u0131lmas\u0131n\u0131n ama\u00e7land\u0131\u011f\u0131 g\u00f6ze \u00e7arp\u0131yor. M\u00fczelerin tamam\u0131nda olaylar\u0131n hiper ger\u00e7ek\u00e7i canland\u0131rmalarla aktar\u0131lma \u00e7abas\u0131, g\u00f6rsel temsil yoluyla inanc\u0131n h\u0131zla ve arzu edilen bi\u00e7imde yay\u0131lmas\u0131 i\u00e7in \u0130ncil anlat\u0131lar\u0131n kilise duvarlar\u0131na resmedilmesini hat\u0131rlat\u0131yor (Boynudelik; 2018). Haf\u0131za 15 Temmuz M\u00fczesi ve Panaroma 1453 M\u00fczesi\u2019nde de oldu\u011fu gibi iktidar\u0131n\u0131n haf\u0131za restorasyonu prati\u011finin, performatif, g\u00f6sterisel, sahnelenmi\u015f karakteri (Bora, 2021) Yass\u0131ada\u2019daki m\u00fczelerde de kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n M\u00fczelerin yan\u0131nda dikkati \u00e7eken ayr\u0131nt\u0131lardan biri adan\u0131n her yan\u0131nda kar\u015f\u0131m\u0131za \u00e7\u0131kan sanat eserleri. Giri\u015f biletlerinin sat\u0131\u015f\u0131na arac\u0131l\u0131k eden firman\u0131n blogunda, b\u00fcnyesinde demokrasi ve adalet temal\u0131 23 adet enstalasyon eser yer alan adan\u0131n \u015fimdiden \u0130stanbul\u2019un k\u00fclt\u00fcrel duraklar\u0131ndan biri haline gelmi\u015f oldu\u011fu (\u00d6zer, 2021) iddia ediliyor.<\/p>\n\n\n\n \u201cSenin bir sanat\u0131n var\u201d slogan\u0131 ile d\u00fczenlenen Yeditepe Bienali\u2019nde oldu\u011fu gibi k\u00fclt\u00fcrel iktidar olma m\u00fccadelesini \u00e7a\u011fda\u015f sanat cephesine de ta\u015f\u0131yan iktidar\u0131n \u00e7a\u011fda\u015f sanat\u0131 halka indirme vaadi (F\u0131rat, 2018) adadaki eserlerde de kar\u015f\u0131l\u0131\u011f\u0131n\u0131 buluyor.<\/p>\n\n\n\n Eserler konusunu adan\u0131n dramatik hikayesinden al\u0131rken, bu temay\u0131 akla gelen en bilindik sembollerle sunuyor. Eserlerde g\u00f6z\u00fc ba\u011fl\u0131 kad\u0131n, demir parmakl\u0131klar\u0131 k\u0131ran g\u00fcvercin, dikenli tele ba\u011fl\u0131 mektup ka\u011f\u0131tlar\u0131 gibi dolay\u0131mlamaya ihtiya\u00e7 duymayan bilindik formlar\u0131n tercihi, sanat\u00e7\u0131lar\u0131n \u00f6zensizli\u011finden ya da yarat\u0131c\u0131l\u0131k eksikli\u011finden \u00e7ok, \u201c\u00e7a\u011fda\u015f sanat\u0131n\u201d kolayca idrak edilebilecek bi\u00e7imde ziyaret\u00e7ilere sunulma kayg\u0131s\u0131ndan ileri geliyor.<\/p>\n\n\n\n Benzer bi\u00e7imde Ahmet G\u00fcne\u015ftekin\u2019in Diyarbak\u0131r\u2019da a\u00e7\u0131lan Haf\u0131za Odas\u0131 Sergisi i\u00e7in Sureyya Su\u2019nun yapt\u0131\u011f\u0131 ele\u015ftiri burada da ge\u00e7erli g\u00f6r\u00fcn\u00fcyor. Eserler vas\u0131tas\u0131yla toplumun haf\u0131zas\u0131ndaki bo\u015fluk sanatla doldurulmaya \u00e7al\u0131\u015f\u0131lsa da, esas duygunun estetize edilme bi\u00e7imindeki inand\u0131r\u0131c\u0131l\u0131k sorunu, eserleri \u00f6n\u00fcnde foto\u011fraf \u00e7ektirilen bir fon haline getiriyor. Bu halleriyle eserler, hat\u0131rlatmaktan \u00e7ok hat\u0131rlaman\u0131n ac\u0131s\u0131n\u0131 bast\u0131ran bir etki \u00fcretiyorlar. (Su, 2021)<\/p>\n\n\n\n Eserlerin yan\u0131 s\u0131ra adan\u0131n sembol yap\u0131lar\u0131ndan biri olan Fatin R\u00fc\u015ft\u00fc Zorlu Camii\u2019ne de ayr\u0131 bir parantez a\u00e7mak gerekiyor. Bulundu\u011fu mekan\u0131n ihtiya\u00e7lar\u0131n\u0131n \u00f6tesindeki ebatlar\u0131yla iktidar eliyle yap\u0131lan\/yapt\u0131r\u0131lan her projenin alameti farikas\u0131 olarak nitelendirilebilecek 16. y\u00fczy\u0131l cami formu adada da kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. \u0130ktidar eliyle \u00fcretilen yap\u0131l\u0131 \u00e7evrenin merkezine yerle\u015ftirilen cami, bir bak\u0131ma \u201cmilletin\u201d kurucu unsuru, \u201cmilletin mimarisinin\u201d m\u00fchr\u00fc olarak (Batuman, 2020) iktidar\u0131n g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fcn ve siyasi n\u00fcfuzunun tezah\u00fcr\u00fc. \u0130dam sehpas\u0131na giderken abdest al\u0131p iki rekat namaz k\u0131lmak isteyen Fatin R\u00fc\u015ft\u00fc Zorlu\u2019nun hat\u0131ras\u0131na binaen yap\u0131lan cami, 19. Y\u00fczy\u0131l\u2019da aday\u0131 sat\u0131n alan emekli \u0130ngiliz B\u00fcy\u00fckel\u00e7i Sir Henry Bulwer taraf\u0131ndan yapt\u0131r\u0131lan \u015fato ve adan\u0131n i\u00e7indeki Bizans d\u00f6nemi manast\u0131r kal\u0131nt\u0131s\u0131 \u00e7ilehanelere kar\u015f\u0131 adaya \u0130slami bir kimlik tahvil ediliyor. \u0130n\u015faat s\u00fcrecinde bu kal\u0131nt\u0131lar\u0131n bir k\u0131sm\u0131n\u0131n yok edildi\u011fi iddialar\u0131 da bellek m\u00fccadelesinin (\u00c7\u0131nar, a.g.e) \u015fiddeti hakk\u0131nda bir fikir verebilir.<\/p>\n\n\n\n Adan\u0131n i\u00e7indeki en tart\u0131\u015fmal\u0131 mekan ise \u015f\u00fcphesiz 123 odas\u0131yla adan\u0131n en b\u00fcy\u00fck yap\u0131s\u0131 olan be\u015f y\u0131ld\u0131zl\u0131 Katre Island Hotel. Otel, internet sitesinde m\u00fc\u015fterilerine \u201c\u0130stanbul\u2019un d\u0131\u015f\u0131nda ama bir o kadar da yak\u0131n ideal konumuyla i\u015f d\u00fcnyas\u0131na benzersiz bir konaklama deneyimi\u2026\u015eehrin ko\u015fu\u015fturmacas\u0131n\u0131n d\u0131\u015f\u0131nda, hayat\u0131n \u00e7ok daha kolayla\u015ft\u0131\u011f\u0131 Prens Adalar\u0131’n\u0131n nefes kesen manzaras\u0131n\u0131n keyfi\u2026b\u00fcy\u00fcleyici ye\u015filin muhte\u015fem manzaras\u0131na bakan \u0130stanbul Restaurant’ta romantik bir ak\u015fam yeme\u011fi\u201d gibi vaadler sunuyor (https:\/\/katreislandhotel.com.tr\/tr\/hakkimizda<\/a>)<\/p>\n\n\n\n Adan\u0131n k\u0131y\u0131 \u015feridine bakan k\u0131s\u0131mlar\u0131na in\u015fa edilen suit odalar\u0131n yollara bakan cephelerine giydirilen eserlerle odalar kamufle edilmeye \u00e7al\u0131\u015f\u0131lm\u0131\u015f. Adada otel sakinlerinin e\u015fyas\u0131n\u0131 ta\u015f\u0131yan golf arabalar\u0131 ile s\u00fcrekli kar\u015f\u0131la\u015fmak m\u00fcmk\u00fcn. Ziyaret\u00e7iler ada sokaklar\u0131 boyunca dizili l\u00fcks s\u00fcit odalar\u0131n aras\u0131ndan imrenmeyle kar\u0131\u015f\u0131k merakl\u0131 bak\u0131\u015flar ile ilerlerken yollar karanl\u0131ktan ayd\u0131nl\u0131\u011fa ge\u00e7i\u015fin simgesi Demokrasi Fener\u2019ine \u00e7\u0131k\u0131yor. G\u00fcne\u015fli havada d\u00f6nemin m\u00fcziklerini \u00e7alan kapal\u0131 devre yay\u0131n e\u015fli\u011finde yap\u0131lan ufak y\u00fcr\u00fcy\u00fc\u015f\u00fcn sonunda, ziyaretin ba\u015f\u0131nda yarat\u0131lmaya \u00e7al\u0131\u015f\u0131lan hava \u00e7oktan da\u011f\u0131lm\u0131\u015f g\u00f6r\u00fcn\u00fcyor.<\/p>\n\n\n\n Genel olarak bir ucundan di\u011ferinin mesafesi yakla\u015f\u0131k 800 metre olan olduk\u00e7a s\u0131n\u0131rl\u0131 bir alana 1650 metrekarelik meydan, 600 ki\u015filik Kongre Merkezi, 123 odal\u0131 kongre oteli, k\u00fct\u00fcphane, sergi salonu ve 24 metre uzunlu\u011funda bir fener s\u0131\u011fd\u0131r\u0131larak adan\u0131n her metre karesinden maksimum fayda elde edilmeye \u00e7al\u0131\u015f\u0131lm\u0131\u015f. Tan\u0131l Bora\u2019n\u0131n ifadesiyle \u201cT\u00fcrk Muhafazakarl\u0131\u011f\u0131\u2019n\u0131n in\u015faat \u015fehveti\u201d burada da kendisini g\u00f6steriyor (Bora, 2016). Di\u011fer bir ifadeyle \u201cy\u0131k\u0131mla yarat\u0131lan bo\u015fluk, bo\u015fluk b\u0131rakma erkine sahip olmayan iktidar taraf\u0131ndan ayn\u0131 h\u0131zla dolduruluyor\u201d. (Harvey, 2013 akt. \u00c7\u0131nar a.g.e) <\/p>\n\n\n\n Peki Yass\u0131ada gibi duygusal yat\u0131r\u0131m nesnesi olarak sembolik de\u011feri bu kadar y\u00fcksek (Tokdo\u011fan, 2018) bir mekana, sermaye yat\u0131r\u0131m\u0131 olan l\u00fcks bir otelin yerle\u015ftirilmesi nas\u0131l a\u00e7\u0131klanabilir? AKP\u2019nin in\u015faat odakl\u0131 projelerinde ilk akla geldi\u011fi gibi Yass\u0131ada d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc\u011f\u00fc haliyle basit bir rant projesi olarak salt mekan\u0131n metala\u015ft\u0131r\u0131lmas\u0131na d\u00f6n\u00fck bir proje midir? <\/p>\n\n\n\n Bu soruya cevap bulmak i\u00e7in adan\u0131n ger\u00e7ekten \u201crantabl\u201d bir potansiyelinin olup olmad\u0131\u011f\u0131n\u0131 sormak gerekiyor belki de. S\u0131n\u0131rl\u0131 bir sezonu az say\u0131da ziyaret\u00e7isi ve zorlu ula\u015f\u0131m imkanlar\u0131 olan bir adaya bu denli b\u00fcy\u00fck bir otel yat\u0131r\u0131m\u0131 yap\u0131lmas\u0131n\u0131n finansal a\u00e7\u0131dan ne denli rasyonel oldu\u011fu sorgulanabilir. Elbette normal \u015fartlarda otel gibi maliyetli bir tesisin yap\u0131m\u0131\/i\u015fletilmesinden elde edilecek kar\/zarar normal \u015fartlarda yat\u0131r\u0131mc\u0131y\u0131 ilgilendirir. Ancak mevzu iktidar eliyle ger\u00e7ekle\u015ftirilmi\u015f b\u00fcy\u00fck bir in\u015faat projesi olunca, makro \u00f6l\u00e7ekli ili\u015fkiler a\u011f\u0131nda hangi bile\u015fenin hangi projeden ne kadar menfaat sa\u011flad\u0131\u011f\u0131n\u0131, di\u011fer bir deyi\u015fle adaya yap\u0131lan yat\u0131r\u0131m\u0131n olas\u0131 zarar\u0131n\u0131n ne kadar\u0131n\u0131n kamuya hangi mekanizma ile yans\u0131t\u0131laca\u011f\u0131n\u0131 bug\u00fcnden bilmek olanaks\u0131z g\u00f6r\u00fcn\u00fcyor. <\/p>\n\n\n\n Di\u011fer yandan be\u015f y\u0131ld\u0131zl\u0131 bir otel gibi ilk anda l\u00fcks, konfor, e\u011flenceyi ak\u0131llara getiren bir yap\u0131n\u0131n, kollektif belle\u011fe nak\u015fedilmek istenen yas duygusunun sahicili\u011finden \u00e7ald\u0131\u011f\u0131 da muhakkak. <\/p>\n\n\n\n Mekanlar\u0131n pazarlanmas\u0131nda, o yerin m\u00fcstesnal\u0131\u011f\u0131 ve otantikli\u011fi i\u00e7in bir piyasa olu\u015fturulmaya \u00e7al\u0131\u015f\u0131lmas\u0131na kar\u015f\u0131n, o yerin pazarlanabilir hale gelip piyasas\u0131 olu\u015ftuk\u00e7a m\u00fcstesnal\u0131k\/otantikli\u011fini yitirmesi olarak nitelendirilen \u201cDisneyle\u015fme\u201d, mekana anlam\u0131n\u0131 vermesine kar\u015f\u0131n ziyaret\u00e7ilere olumsuz \u00e7a\u011fr\u0131\u015f\u0131m uyand\u0131ran her \u015feyin kald\u0131r\u0131ld\u0131\u011f\u0131 ya da ehlile\u015ftirildi\u011fi steril mekanlar\u0131n standart formatlarda sunumu \u015feklinde kavramsalla\u015ft\u0131r\u0131lm\u0131\u015f (Harvey, akt. \u00c7\u0131nar, a.g.e.). Bu haliyle Yass\u0131ada \u201ctematik bir tatil k\u00f6y\u00fcn\u00fc\u201d and\u0131rmaktan ileri gitmiyor.<\/p>\n\n\n\n Menderes ile ba\u015flayan ve merkez sa\u011f s\u00f6ylemde devam ettirilen, medeniyetin ana motorunun refah ve zenginle\u015fme arzusu oldu\u011fu fikri (Bora, a.g.e) takip edilerek \u0131ss\u0131z kalm\u0131\u015f Yass\u0131ada yas\u0131ndan kurtar\u0131lm\u0131\u015f; bu anlamda medeniyetten nasibini alm\u0131\u015f g\u00f6r\u00fcn\u00fcyor. O zaman bu m\u00fcdahalelenin muhafazakar sa\u011f kesim taraf\u0131ndan Menderes\u2019in hat\u0131ras\u0131na sayg\u0131 m\u0131 yoksa s\u00f6vg\u00fc m\u00fc oldu\u011funu belki biraz da muhafazakarlar\u0131n tart\u0131\u015fmas\u0131 gerekiyor.<\/p>\n\n\n\n Kaynak\u00e7a:<\/p>\n\n\n\n Batuman, B\u00fclent. Milletin Mimarisi, \u0130stanbul: Metis Yay\u0131nlar\u0131, 2019<\/p>\n\n\n\n Bora, Tan\u0131l, \u201c\u015eehitler ve \u015eahitler\u201d, Birikim Haftal\u0131k, 2015, https:\/\/birikimdergisi.com\/haftalik\/1567\/sehitler-ve-sahitler, (eri\u015fim, 23.01.2022)<\/p>\n\n\n\n Bora, Tan\u0131l, \u201cT\u00fcrk Muhafazakarl\u0131\u011f\u0131 ve \u0130n\u015faat \u015eehveti\u201d, \u0130n\u015faat Ya Resuluhlah, der. Tan\u0131l Bora, \u0130stanbul: \u0130leti\u015fim Yay\u0131nlar\u0131, 2016<\/p>\n\n\n\n Bora, Tan\u0131l, \u201cHaf\u0131zay\u0131 Planlamak ve Heykelle\u015ftirmek\u201d, Haf\u0131za ve Sanat Konu\u015fmalar\u0131, 2020<\/p>\n\n\n\n Boynudelik, Zerrin \u0130ren, Bu Resim Ne Anlat\u0131yor? \u0130konografi, \u0130stanbul: Bilgi \u00dcniversitesi Yay\u0131nlar\u0131, 2018<\/p>\n\n\n\n Cumhuriyet, “Yass\u0131ada\u2019n\u0131n Fikir Babas\u0131 Eski AKP\u2019li Bakan Ertu\u011frul G\u00fcnay Projeye \u0130syan Etti\u201d, 29 May\u0131s, 2020; https:\/\/www.cumhuriyet.com.tr\/haber\/yassiadanin-fikir-babasi-eski-akpli-bakan-ertugrul-gunay-projeye-isyan-etti-1741847<\/a> (eri\u015fim, 23.01.2022)<\/p>\n\n\n\n \u00c7\u0131nar, Reyhan \u00dcnal, \u201cEcdad\u0131n \u0130cad\u0131\u201d, <\/em>\u0130stanbul: \u0130leti\u015fim Yay\u0131nlar\u0131, 2020, <\/p>\n\n\n\n F\u0131rat, Beg\u00fcm \u00d6zden, Senin Bir \u0130htimalin Var!: Yeditepe Bienali, \u201cGelenekli\u201d Sanatlar, Hamiler ve Ba\u015fka Bir D\u00fcnya, 28 May\u0131s 2018; skopb\u00fclten https:\/\/www.e-skop.com\/skopbulten\/senin-bir-ihtimalin-var-yeditepe-bienali-\u201cgelenekli\u201d-sanatlar-hamiler-ve-baska-bir-dunya\/3810<\/a> eri\u015fim, 23.01.2022)<\/p>\n\n\n\n Milliyet, \u201cYass\u0131ada \u0130stanbul\u2019un Camp David\u2019i Olacak\u201d, 15 May\u0131s 2015, https:\/\/www.milliyet.com.tr\/gundem\/yassiada-istanbul-un-camp-david-i-olacak-2059272 (eri\u015fim, 23.01.2022)<\/p>\n\n\n\n \u00d6zer, Nil\u00fcfer Demir; Tarihi Bir Mekan: Demokrasi ve \u00d6zg\u00fcrl\u00fckler Adas\u0131; 29 Temmuz 2021; https:\/\/blog.biletix.com\/yasam\/tarihi-bir-mekan-demokrasi-ve-ozgurlukler-adasi-10812<\/a> (eri\u015fim, 23.01.2022)<\/p>\n\n\n\n \u00d6zl\u00fcer, Fevzi; T\u00fcrk Sa\u011f\u0131nda \u2018Ada\u2019 ve \u00dctopya; Evrensel, 14 \u015eubat 2016, https:\/\/www.evrensel.net\/haber\/272566\/turk-saginda-ada-ve-utopya<\/a> (eri\u015fim, 23.01.2022)<\/p>\n\n\n\n Su, S\u00fcreyya; Renklerin Canland\u0131ramad\u0131\u011f\u0131 An\u0131lar Y\u0131\u011f\u0131n\u0131, 31 Ekim 2021, Pencere Pazar, Say\u0131 84<\/p>\n\n\n\n Tokdo\u011fan, Nagehan, Yeni Osmanl\u0131c\u0131l\u0131k <\/em>\u0130stanbul: \u0130leti\u015fim Yay\u0131nlar\u0131, 2018<\/p>\n","protected":false},"excerpt":{"rendered":" Bu yaz\u0131n\u0131n asl\u0131 Birikim Dergisi’nin 395. say\u0131s\u0131nda yay\u0131nlanm\u0131\u015ft\u0131r. B\u0130R BELLEK M\u00dcCADELES\u0130 MEKANI OLARAK YASSIADA Bilmiyor g\u00fclmeyi sakinlerinin binde biri, Bir vatan derdi birikmi\u015f bir avu\u00e7luk karada, Ku\u015fu hicran getirir, dalgas\u0131<\/p>\n![\"\"](\"https:\/\/www.muratbergi.com\/wp-content\/uploads\/2022\/12\/1-3-1024x684.jpg\")
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